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After a long recovery, Camille Monet died on September 5, 1879 in Veteol. Her relationship with the artist dates back to 1864, they married in 1870, although they already had a son named Gene. Monet could not help but make the final portrait of his beloved wife and model on his deathbed. The work becomes a concert of lilac flowers, in which Camilla's face is almost imperceptible. Thus, it is shown how an artist cannot abstract from his attraction to color, following the principles of impressionism, even when the model is his dead wife. In his painting, the artist rather tried to portray his attitude to his wife, as well as the sorrow that consumed the soul.
The last years of Claude Monet were marked by high artistic productivity, thereby he sought to use all the energy in order to forget and abstract from the tragedy that haunted him. However, this changed dramatically when cataract problems increased. Soon he began to lose his sight, which markedly hindered his artistic progress. Monet had to break sketches and paintings, not finishing, the purpose of which was to leave the paintings to herself. All this caused a deep depression in the artist, who died in 1926 in Giverny.
He began his career under the influence of pictorial realism and completed a more naturalistic and abstract picture, marked by the dissolution of forms. Despite various influences, his picture shares an exceptional attitude to light and color, with which Monet managed to capture and imagine everything for which he decided to portray his wife. The painting turned Monet's life upside down and inspired interesting thoughts to a man who was trying to see in paints all the sorrow and longing of the great artist. This work is a cry of the soul, demonstrates the true attitude of a husband who is tormented by tragedy.
Korovin North Idyll