We are searching data for your request:
Upon completion, a link will appear to access the found materials.
The painting by William of the English artist, engraver and poet William Blake was completed in 1825. It was created as a cover page for a book of poems of the same name by the same author. The picture is made in the style of symbolism.
Technique - etching, printing with orange-brown ink, painted with watercolors and gold. It is believed that it was the work of W. Blake that lay at the basis of the development of the etching technique. Instead of making incisions on the copper plate and filling them with ink, as suggested by lithography, which has existed since the Middle Ages, he applied a special resistant paint to the plate. The surface into which the paint was eaten became a little higher and allowed to make prints.
The plot is based on a woman reading a book by a boy and a girl standing next to her. A group of people occupies one of the lower corners of the picture. On the other side, an oak tree spreads its branches. In the upper part - the name of the work, made by bizarre volumetric letters and complemented by figures of people and ornament. It is believed that the plot of the picture is based on visions that the artist experienced.
The work is filled with lyricism, joy, infinite calm. There is not a single drop of tension or tragedy in it. The images in the foreground are worked out in sufficient detail, while the sky, visually occupying the back of the picture, is made with wide strokes.
The primary colors are blue and gold, the colors of meekness and divinity. The blue sky is repeated in the bright blue of a woman's dress. Golden is present almost everywhere: in letters, small figures of angels and piper, fruits of a tree, in the sky, meadow, children, woman's head. This color also filled the contours of the ornament, present both in the picture itself and in its frame.
Symbolism pervades all work. Meadow symbolizes paradise, water - purity and humility. Spread oak branches, free, filling a large part of the picture and covering with itself a woman and children, symbolize divine protection and faith.
The work is stored at the Metropolitan Museum of Art, New York.